Arthur, I. K., Nikoi, E. G. A., Benagr, S. (2020). Advancing the services sector’s potential in Africa through customer experience: A conceptual perspective. In Robert Ebo Hinson, Ogechi Adeola, Terri Lituchy & Abednego Feehi Okoe Amartey (Eds.), Customer service management in Africa: A strategic and operational perspective (pp. 315-327). New York: Routledge.

Benagr, S. & Dartey, S. (2017). A humble plea to whom it may concern; Kwaw Ansah’s … Love of AA, an allegory for negotiating peace between feuding factions (in Ghana). In Winston Mano, Barbara Knorpp, & Agina Anuli (Eds.), African film cultures: In the context of socio-political factors (pp. 94-111). Cambridge: Cambridge Scholars Publishing.

Benagr, S. (2014). A critique of my mother’s heart 1 & 2. In Blandine Stefanson & Sheila Petty (Eds.), Directory of world cinema: Africa (pp. 371-373). Bristol and Illinois: Intellect Books & Chicago University Press.

Benagr, S. (2014). A critique of a sting in a tale. In Blandine Stefanson & Sheila Petty (Eds.), Directory of world cinema: Africa (pp. 374-375). Bristol and Illinois: Intellect Books & Chicago University Press.

Benagr, S. (2011). The political and social context of the development of the film/video technology in West Africa. In E. Biakolo, J. T. Tsaaior, A. Tam-George & A. Agina (Eds.), Journalism and new technologies in Africa (. pp. 226-241.). Lagos: Centre for Black and African Arts and Civilization.

Benagr, S. & Ofosu, T. B. (2016). Ghanaian screendance perspectives: The nuance of ‘sankofaism’ as emerging aesthetics and rejection of orthodoxy, The International Journal of Screendance, Vol. 6, Spring. pp. 78-93.

Benagr, S. (2003). How to Reduce Poverty in Ghana. In Business Watch Magazine, Accra Ghana.

Benagr, S. (2016). Mapping exercise; Roles, representations and perceptions of women in contemporary Ghanaian society onto William Shakespeare’s plays. British Council, Accra-Ghana.